Issue 188

News/Film Idea/Review: Some notes on Holocaust Films.
In my last entry, on the best books of the many I read in 2010, I mentioned that I had put 25 books in the shortlist. Two of the books that didn't make it onto my list were Holocaust memoirs. Specifically, those memoirs were two classics of the genre: Primo Levi's If This Is A Man, and Elie Wiesel's Night. I have to admit that there's a reason I didn't include them in my list beyond the fact that I found Bruce Campbell talking about the making of The Evil Dead more enjoyable than their harrowing experiences im Lager. The fact is that, I can't help but think that while they are basically true and don't feel the need to nit-pick like some people do, the medium of the memoir has advantages and disadvantages, and one disadvantage is particularly crucial: they are ultimately one-sided. The way I see it, if books and films are to be used to show people the horrors of the Holocaust, we should be forced to see ourselves not only in the shoes of those who got killed, but also the shoes of those who did the killing. To go further into this, I will examine what is probably the most famous film about the Holocaust, Schindler's List. In the film, the villain Amon Goeth is portrayed as being utterly, outrageously cruel. One would be tempted to call out Spielberg for portraying him as too unrealistic if one didn't know that Spielberg actually toned down his evil for film. The problem I have with it is that, unfortunately, Goeth wasn't exactly representative of Concentration Camp workers. When off-duty, many of them would seem pretty normal people, and not necessarily the type of people who would routinely kill people for a day. This is what Hannah Arendt meant by "The Banality of Evil." This is a thought that should frighten you, because it means your best friends or even you could very well be capable of committing genocide without emotion. It is also essential for understanding why the Holocaust happened in the first place, but, surprisingly, very few of the films that take place in the camps try to deal with that idea. In essence, I feel that not including that theme in a film (or other art form) about the Holocaust is ultimately irresponsible, even when a big name like Spielberg does it. Even when Roman Polanski, a filmmaker known for being gloomy and pessimistic (at least when you look at his film career, as opposed to his personal life), made a film about it, he seemed to avoid this issue like Spielberg did. Of course, considering he lived through it all and lost most of his family, it sort of makes sense he would focus solely on the victims. To remedy this, I have come up with three possible ideas for a Holocaust film if I ever make it to Hollywood, in order of likelihood that they will be made (most likely last.)
*Death Dealer, based on the memoirs of Rudolf Hoess, an actual Commandant of Auschwitz. Considering that a lot of the criticism of Boy in the Striped Pyjamas seemed to focus on making a Nazi sympathetic, this is probably the least likely one to be made.
*Eyewitness Auschwitz, based on Filip Mueller's autobiography. It is about a Jewish inmate who survived the camp for three years because of his skill in working the crematoria, thus blurring the line between victims and villains. Definitely more moral ambiguity, but I doubt that a film like this would be made.
*The Wave. This is the one I think is most likely to be made, because, simply put, it's already been made several times, most notably as a Television special in 1981, and a German film in 2008. What do I think I can add to the story? Before I tell you that, I should tell you a little about Miltonian criticism. In his book, Surprised by Sin, Stanley Fish attempted to explain the sympathetic portrayal of Satan by saying that by making Satan seem likable, Milton helps simulate the Fall of Man on the reader. In very much the same vein, I hope to extend the power of the Wave to the level of the audience by using cinematic techniques that mirror those used by Leni Riefenstahl in her amazingly made propaganda piece Triumph of the Will. That film managed to boost allegiance to the Nazi party whenever it was played, and even allegedly scared a film critic into joining the Nazi Party. If we are led to be in as much awe of the movement as the students are, the big reveal will be even more shocking.

Issue 187

News: The Beat Books of (the many I read in) 2010.
Well, I've seen a few more films in theaters than I did last year. All things noted, however, I read a lot of books in the last year. How many, you may ask? Well, my original shortlist for this one happened to be 25 books. It took a while for me to be able to narrow it down to ten. And here's just the ten I felt were the best I had read, and no, none of them had been published in 2010.

10. Flashman by George MacDonald Fraser.
For the benefit of all of you who don't know, Harry Paget Flashman was the bully in the Victorian schoolboy's novel Tom Brown's Schooldays. This novel covers his life in the years after being expelled from Rugby school for drunkenness, wherein he joins the army and manages to gain some clout by shooting the top off a bottle (by complete accident), and gaining a heroic reputation (culminating in meeting Queen Victoria) in India despite being a total coward. The thing that really interested me was that it was apparently so historically accurate that, upon publication, several reviewers (particularly Americans) assumed that they were genuine. It's the first in a series of twelve novels, and I have yet to read the other eleven, but I can only expect more of the same.

9. If Chins Could Kill by Bruce Campbell.
On the prodding of a classmate in my recent film class, I decided to read this book. I hesitated, because of the fact that I never went in for the "private lives of the stars" sort of books. However, unlike most of the stars who've had books written about them, Bruce, at least at first, had a pretty hands-on role in the making of many of the films. He includes a setup for some of the camera tricks devised for the Evil Dead movies and even a recipe for blood used in the original. The classmate who recommended this to me also suggested I try and make that fake blood and see if it's edible, but I haven't. That said, considering that all the ingredients are edible, I think it is, but doubt that it would be appetising.

8. Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson.
This movie is probably one of the most frequently adapted novels in history, but, surprisingly, very few of those adaptations even bothered to take the original plot structure from the original. The more I looked into the adaptations, I found only two filmed versions that kept the original idea: 1971's I Monster, which changed the protagonist's names, and the Wishbone adaptation that squished the story into 15 minutes and made the main character a dog. And by main character, I mean Gabriel Utterson, who is, for some reason, left out of almost every adaptation. Why? After all, it's a perfectly good idea to let the audience figure out what had happened slowly, and at least make an effort of making it seem like the fact that Jekyll and Hyde are the same person was a twist. The fact that so many adaptations decided to establish early on that Jekyll and Hyde are one and the same is just as idiotic an idea as making a version of The Sixth Sense where everybody knows up front that the Bruce Willis character is supposed to be a ghost. Of course, like with Flashman, I had read this on audiobook, and there were some flaws with both of them: With Flashman, the footnotes were not read (the ones which reinforced the massive amount of research Fraser put into them), and for this one, the narrator mispronounced Jekyll's name. As much as I like Spencer Tracy, I blame him (and his 1940 film of the book) for the popular mispronunciation of Jekyll as Jeck-ull. According to Stevenson, it was Jee-kull. Rant over, on to book 7.

7. The Prophet by Kahlil Gibran and the Dhammapada.
What else is there to say about The Prophet? Behind Lao-Tsu, Shakespeare, and King David, this book is one of the most-read collections of poetry in recorded history. And, the fact is, his musings on the condition of living still hold up pretty well. He has succeeded in becoming timeless. I also include the Dhammapada in the same category because its subject is the same as the Prophet, but it was written by an actual religious figure. In short, it's probably one of the most solid-seeming religious texts, in my opinion.

6. Rise of Theodore Roosevelt by Edmund Morris.
Well, this is a book about the making of a great man, namely, Theodore Roosevelt. This is the first part of a three-volume biography of Roosevelt, and this volume covers his life from birth to getting the news that President McKinley got assassinated, and it's surprising the amount of positions he managed to get before the age of 42, from published author, to secretary of the Navy, to war hero, to NYPD Commissioner, to personification of masculinity. I read Theodore Rex, the second volume, and I didn't find it as interesting as the first volume, and I have yet to read the last volume, Colonel Roosevelt, (due to wanting to get paperback edition to match my copies of the first two).

5. Angels in America by Tony Kushner.
The plot of this play is very hard to summarise: When I told my dad about it, I only managed to cover the subplot about Prior Walter. Indeed, much of the plot could be accurately be described as "gay guys talking about politics." Surprisingly, despite all of this, it manages to work as the most epic work written for the stage since Wagner's Ring of the Nibelung. Why? You'll just have to read it, or, possibly, watch the HBO miniseries based on the play, to find out.

4. The Areas of My Expertise by John Hodgman.
I discovered this book based to TVTropes due to its being categorised as a "weird american thing." In essence, this book is an almanac of completely made-up facts (in fact, many of the facts given are half-true). Considering the complete insanity of many of the facts (things like otters being called lobsters and being driven to extinction by new lobsters, or an escalating war of strange precipitation between Milwaukee and Richmond, VA) makes one wonder about the kind of world in which it is true. This is, once again, the first in a projected trilogy, and only the first two published yet. I have just started to read the second book, and it's actually a worthy successor to the original.

3. Autobiography of Malcolm X.
Due to the intricacies of my reading queue, I waited a while to start to read this book, but when I actually managed to get into reading this book, I was surprised by the conversational style of this book. The tone of the book seemed almost exactly like I was having a conversation with the man himself, and it really felt like what you'd expect when you talked with an orator. And I even managed to gain more insight into the beliefs of the nation of Islam, and even the bizarre nature of the genetics that the story of Yakub and the creation of the other races (other than Black). The afterword by the ghostwriter Alex Haley even gave more insight into the man's life and the book's creation.

2. The Ice Man by Philip Carlo.
For a while, I was on a big kick of reading books about hitmen, in the hopes that I could create a hitman story of my own. It didn't work out. Along with the two books written by Joey Black (an actual hitman), this work formed the non-fiction part of my research (I really wished I could find more non-fiction books focusing on the lives of hitmen, but there you go.) This book is about a man named Richard Kuklinski who claimed to have killed over 300 people and worked for all of New York's five families (since he wasn't Italian, he couldn't "get made" into any one family). The fact is, that, despite many questions that have been raised about the veracity of many of Kuklinski's claims, it's actually a very compelling story, and even on this level, it's still a must-read. Surprisingly, despite the fact that this is the story of a career killer who talked about killing people with no discernible emotion, this actually contains one of the most touching scenes I've ever read: while meeting his second wife's family, they take him to a Thanksgiving dinner, and Richard, for the first time, manages to discover for the first time, the phenomenon of being loved unconditionally by a family (his own was abusive, and his father even killed his own son Florian.) Naturally, this shift in tone does not last long.

1. Requiem For a Dream by Hubert Selby Jr.
Yes, Hubert Selby is one of my favourite authors, and I read his four major novels, and, apart from Last Exit to Brooklyn, this is probably his best known novel. It's also one of the most disturbing novels ever written (but surprisingly, not even the most disturbing one written by Selby, that honour going to The Room), and, especially in this book, the bizarre nature of his typography (ridiculously huge indentations for paragraphs and replacing apostrophes with slash marks) enhances the disturbing mood created by his books by disorienting his reader, so that, if the acts being described don't disturb the reader, the confusion will ensure that his novel has a profound effect on the reader. The movie only concentrates the 300-page novel into a 100-minute film, and very effectively, I may add.

Film Idea of the Day: The keyboardist for a band ends up falling in love with an angel. This love forces him and his bandmates into a battle between them and the forces of the Almighty. The plot is, in essence Scott Pilgrim meets His Dark Materials, and should ideally include satire that covers everything from religion to the Twilight saga to eagle feather law.

Film Review of the Day: Black Swan. Like the film version of Requiem for a Dream, this was directed by Darren Aronofsky. Although I haven't been keeping abreast of his career since Requiem, it did seem like a big stylistic leap between the editing-driven, visceral Requiem and the surreal horror of Black Swan. That said, he did apparently release two films between Requiem and Black Swan, but I haven't seen them. Despite not being what I would have expected from the man who made Requiem for a Dream, and the subject matter (Ballet) not being something I'm particularly interested in, it was quite good. It really helps that there was a scene in which the two main dancers have sex with each other. Hot girl on girl action does tend to improve a movie, at least in my estimation.

Quote of the Day: "When a prosecutor loses a case, do you think he's happy that an innocent man walks free? No, they're angry that they've lost a chance at the governor's mansion."
_____________Hubert Selby Jr., The Room (actually a paraphrase of something in that book. If I were able to find the correct words, I would have posted them.) Food for thought for anybody who watches Nancy Grace regularly.

Link of the Day: My Film Teacher's Blog.

Tract Reviews: Uninvited. Jack Chick returns to the subject of AIDS, and makes claims that should be obviously false to anybody who has studied AIDS since the name was adopted in 1983. There are facts that should be obvious to anybody with two brain cells to rub together that Jack ignores. Here are some of them, for the benefit of anybody who doesn't want to read this tract.

*AIDS is no longer quite the Death Sentence it once was. If identified early enough, it can be kept in control with anti-retroviral drugs. I could just be talking about being HIV positive, though.
*If a six-year-old girl gets raped and left for dead, shouldn't she have had more extreme problems to worry about than possibly becoming a lesbian? Even disregarding physical problems, shouldn't she be scared that it could have happened again, thus ruining her trust for other people for at least several decades?
*Come to think of it, while it would be an oversimplification to state that homosexuality is wholly genetic, there's very significant evidence of genetic influence in sexual orientation. And it certainly does not come about just because they got molested as kids.
*AIDS does not just happen to gay people. In fact, there's also a significant amount of people who got it from heterosexual contact.

I really wish I didn't have to say these facts, but apparently, I do.

Shout out: Another guy has started to follow the blog, his name is life.experienced.